Shot some more hand-made jewellery last week, should soon be available for purchase via the MMzS website.
Clothing from product shoots earlier this year and last year is now for sale through various sites; here is one.
Just completed the retouching on some hand-made jewellery for a new client. Thanks to Martina at MMzS!
Thanks to all at Jet for another successful session!
Looking through some old scans recently, I came to realise the the unique quality of colour transparency film, and its ability to record huge amount of information - even in 35mm; easily a match for a 24mp DSLR. Sadly, few choices still remain for this type of film as Kodak ceased manufacture of E100G, their last remaining E6 film, in 2012. It can be easy to forget that transparency film was the medium of choice for advertising and editorial photography for decades, at least until the 1990's, when colour neg film became more popular. My message is simple; make the most of it while it's still available, as a few years from now it might not be.
Some time ago a library shot of mine appeared in the Sunday Observer in an article on the condition of some of the UK's beaches; the article still exists online under the same title. Thanks to the Observer for publishing the picture as the main shot in the article, it appeared only a day or two after it was scanned by Hammer Lab in Shoreditch.
Thanks to Stella Magazine and the Telegraph online travel section for publishing this analogue shot of Hastings Old Town, sourced from Alamy Images.
Kodak's Ektar and Portra colour neg films are great films to shoot on for digital output as they are designed to be scanned; for anyone wanting the permanence of analogue film they also offer the ability to respond well to retouching and enhancing in Photoshop. Despite film processing and scanning costs, which can be kept relatively low, there are clear advantages to a 'hybrid workflow' as it is sometimes known. Nikon's remaining analogue camera, the F6, has the ability to generate EXIF data for every frame, which is recorded on a memory card and downloaded via the MV1 reader. It is therefore possible to have a fully functioning digital workflow for analogue images, if desired. Judging by the incidences of data loss that I have come across, having the originals in material form makes a huge amount of sense when there appears to be some doubt over the archivability of digital files.
All pictures were shot with the iPhone 4s and modified in Instagram, more examples are on my Instagram page.
All images © Richard Barnes/Stockimo